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DESIGN Philosophy
Strong visual communication needs to have its foundation
in the knowledge of the fundamental elements and principals of design,
as well as a strong understanding of human visual perception. Good design
addresses communication problems and possibilities through a rigorous
process of visual exploration, balancing conceptualization and visualization,
integrating form and content within the restrictions of project objectives.
Form and content is what drives good design practice. But successful design
is only achieved through the design process of ideation, reflection, planning,
creation, analysis and execution. These processes will take the inexperienced
designer through various stages of development and a struggle is likely
to ensue, but without these preliminary investigations, the novice is
likely to fall short of the best possible solution to a project. |
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The educated designer needs to foster both critical and creative thinking
skills. The creative process must explore past and present design practices
and solutions while pushing the parameters of a project to express fresh
and innovative approaches to a project’s objectives.
My own design sensibilities align with structure and simple lines of Swiss
Design and Russian Constructivism, yet I attempt to add warmth and occasional
whimsy. Instilling this sense of structure in my student’s work
is one of my primary aims, yet I push the student to allow their personality
to come through in their work. After all, as the audience varies so must
the form and content of the solution, but a client often hires a designer
or group for their unique vision. It is extremely important for design
students to be aware of current trends in graphic design but I also strive
to motivate and inspire my students to discover their own visual vocabulary
and voice.
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